Archive for March, 2009

16 Mar 2009

  • Posted by Utah Martial Arts Feeds
  • Utah Judo Class: De Ashi Barai

    This Article is comes from Utah Judo
    To see the full original article click here

    Last week in Judo class we did a lot of work on Ashi Waza, which is your foot work (sweep, and fun stuff like that.)

    I did a little looking for good pictures or videos on this move, and found this one on Youtube that I think does good job of showing the move in action:

    Some of these sweeps can be realy nice, especially in dealing with bigger, stronger opponents.

    To comment on this post, please visit the original article click here

    12 Mar 2009

  • Posted by Steve Spencer
  • Bullies step into the ring with real fighters… Bully Beatdown trailer leaked

    Do you know one of those obnoxious bullies?  The real jerks that are always giving people crap?

    Well, now you can watch them step into the ring with a real martial artist.  Watch MMA experts lay down the smack, and the justice.

    11 Mar 2009

  • Posted by Utah Martial Arts Feeds
  • University of Utah Jujitsu Clinic

    This Article is comes from SLC MMA
    To see the full original article click here

    (Photo from San Diego Shooter)

    I’m very excited to announce “Essentials of Jujitsu Clinic”, to be held at the University of Utah on Saturday March 28 from 11:00 AM-3:00 PM. It will be held in HPR W room 105, the big gym room many already know as your classroom. All are invited to attend, regardless of experience. The registration fee is only $40.

    Register at the U of U website – https://secure.uuhsc.utah.edu/peak/registration/ by clicking on “Essentials of Jujitsu clinic” , then  “add to cart” in the lower right hand corner and follow directions from there.

    From the university website:

    Description

    This clinic is to help “install” some essential jujitsu moves into a student’s mind and body. A limited number of techniques will be presented, explained thoroughly, and practiced repeatedly with partners. This clinic will be hands on, and work oriented. Students should arrive prepared for a workout. Gym clothes or gi required – no jeans. By restricting the scope of information, students can expect to physically understand the saying, “I’d rather have 10 moves I can fight with than 10,000 moves that fight me.”

    Instruction will be no-gi oriented.

    Prerequisite

    No martial arts experience is required – only a willingness to take instruction and ability to stay focused. Print and sign the ‘Waiver’ form. Send it to PEAK by campus mail, or bring it with you to the first day of class. This form is included in the online registration process.

    If you have any questions, feel free to comment or email me. I look forward to training with you!

    Again, you can sign up now at https://secure.uuhsc.utah.edu/peak/registration/

    To comment on this post, please visit the original article click here

    9 Mar 2009

  • Posted by Steve Spencer
  • GrillGuards – Utah company makes custom Martial Arts mouthguards

    Custom MMA Mouth Guard

    Custom MMA Mouth Guard

    So, I have a funny story for you.  Saturday afternoon my two boys decided they were going to put on the gloves and spar a bit.  This type of thing is not entirely uncommon at my house.  So we step into the front yard and they begin going at it.

    As their sparring, and I’m videoing, a van drives by.  Then circles back by a second time.

    The driver steps out and introduces himself as Jared Fielding, the man behind Grill Gaurds.

    As was obvious to both of us, with two boys like mine, both of whom I just put through braces, I need to get a product like his.  So this morning I went over to his website to check it out.  Pretty cool stuff.

    I hope to get my hands on one soon, and will write up a review of my findings.  Nice looking stuff Jared!

    6 Mar 2009

  • Posted by Steve Spencer
  • Utah Martial Arts… You could be here.

    Hey, are you into martial arts in Utah?

    Don’t see your stuff here?

    Want to?

    Contact me!

    I am especially looking for good content on Jiu Jitsu and Muay Thai.  Even if you don’t have a blog today that’s okay, I can set you up to write directly onto this site.

    No cost.  Just spreading good Karma, and knowledge :)

    6 Mar 2009

  • Posted by Steve Spencer
  • The personality of Martial Arts?

    Alpha male MMA fighterThere are lots of reasons to choose one martial art over another.  Thee are lots of reasons to love one over another, or to develop a dislike for one style or another.  A few of the most common reasons would be:

    • Applicability.  Can I actually use this.
    • Safety.  Can I learn this, have fun and get into shape, but without injuring myself or going to work with a black eye.

    But another reason that I want to throw out is this: Personality.  To what extent are people attracted to, or repelled from a style due to the personality that it and its practitioners portray?  An easy example to look at for this is MMA.  Many people may be drawn to MMA due to the edgy-coolness of it.  But this is potentially also the very reason that some might avoid it.  Not just because they might feel it’s rough, obnoxious and juvenile, but because they really don’t like most of the crowd attracted to it. (Note, I love MMA, so these are not my perceptions… dont’ flame me.)

    Other folks are drawn to some of the more respectful, more traditional martial arts due to their structe, and respectfulness.  In our Judo dodj we often have Dr. Chen attend.  He is nearly 80 eyars old, Japanese, and crazy good at Judo.  It’s amazing how many people are really drawn to not only his skills, but what he represents.  There are really people who check out the class, and ask questions like, “Do you guys really call all of the moves by the traditional Japanese names?  Is that little Japanese guy going to be here all of the time?”

    I find the importance of that “personality” factor to be interesting.  It’s like the difference between being on the football team, the chess club, the debate team, or band in high school.  All of them might be equally rewarding, but certain people will be drawn to certain ones, not just because of what they do there, but also because of what they represent.

    It’s also surprising how consistent it can be.  If I’m in a gym and a Jiu Jitsu guy walks in, I can spot him most of the time.  Not due to his cat-like grace, or the way he shifts his weight carefully from one foot to another as he walks, but because of his beanie, sunglasses, and the “I am freaking cool” look on his face. (bear in mind that I also practice Jiu Jitsu… Save the flames.  I know that this is an over generalization, but still pretty common, and I think you get my point and know the people I mean.)

    I think a lot of this might be why Karate is by far still the most popular class for people to enroll their kids in.  It’s safe.  It’s a known quantity.  It’s the Vanilla ice cream of martial arts.

    I’d love to hear other people’s thoughts on this.

    6 Mar 2009

  • Posted by Utah Martial Arts Feeds
  • Muay Thai Clinch Work

    This Article is comes from SLC MMA
    To see the full original article click here

    (Photo Attribution: paoe)

    Note: This article was written by one of my students, Garland Hummel. In my MMA class up at the University of Utah, I asked my students to write a short paper, and his is excellent. He used a number of books at videos as reference (some of which I’ve interspersed in the post), along with his Muay Thai training. He goes over some basic and advanced clinch work and considerations. With his express permission, I present,

    The Clutches of Siam: Gross Prummb/Clinch 101

    By Garland Hummel

    Forward

    It seems to me a great injustice to divorce an aspect of an art from the context in which it is rightfully found, both culturally (as it is indisputable that each and every martial art has a culture all its own, even distinct and unique from its ethnic and national roots) and physically (that is to be isolated out without giving any thought to the techniques, tactics, and strategies that support it’s use) without at least a nod or tribute to the art in it’s entirety and a word of wisdom to the reader… The art of Muay Thai must be experienced to be understood. Its techniques may be taken out of their original context and used or modified to fit, and quite effectively I might add, in mixed martial arts events or cross-trained into other venues…but it should be recognized that this is not the full extent of this rich and beautiful expression of the human form. ALL martial arts and combat sports can and should be seen as modalities through which an individual can examine him or herself under great scrutiny and model and forge themselves into the best individuals they can be. Martial arts are an exercise in holistic totality, and an expression of the self.

    What is the Clinch?

    The clinch, also known as the prummb (plam, plum, plumb, plam lam, etc.) in Thai boxing can be succinctly called a range of standing grappling. The clinching range is essentially when you can reach your opponent’s head and they can reach yours. This is the range where “all guns fire”, that is, any and all weapons possessed by an individual fighter or combatant can be employed. From the clinching range you may kick, punch, elbow, knee, head butt, throw, choke, or utilize joint manipulations, and whomever you may be facing will be able to do the same.

    In Western boxing, it is not uncommon to see tired fighters collapse on one another or even hold one another from this range. When boxers do this, the mentality is that by being close, they are able to muffle their opponent’s punches while they catch their breath or recover after having their bell rung. It is imperative that this not be considered similar to the extremely intricate and complex art of the prummb, which uses fulcrums, leverage, and unbalancing of the opponent in order to maintain dominance during a fight. In short, unlike in boxing, the Muay Thai clinch is a position of power and skill for a fighter, not a position of recovery nor of temporary frailty.

    If a wrestler were to stumble into a boxing camp (a training facility for Thai kickboxers which can be compared more to a barracks than to a dojo or kwoon) in Thailand, they would probably recognize some of the clinch drills employed by the boxers as being similar or even identical to ones they employ during their pummeling drills. Thai clinch work can and does involve wrist wrestling, wrestling for the elbows, wrestling for the body, and ultimately wrestling for the neck.

    When practicing, the boxers will fight for position, with both hands at the back of the head being the prize. The exchange will go back and forth as the fighters each try to gain this position and maintain it for as long as they can, like a sort of two person “king of the hill”. In a fight, they would use this position to drag or jerk the opponent’s face into their knee or frame the opponent’s face for a brutal cutting, spearing, or clubbing elbow.

    In fact, from the clinching range, multiple styles of knees and elbows can be employed even without establishing a superior position from the clinch, or even initiating it. Due to the efficacy of these techniques, which are without a doubt the best and most powerful tools in the strikers’ arsenal at this range, the fighters will generally only throw light (as in 30-40%) curve knees to their partner’s thighs or ribs when training.

    Manipulating the Head

    The classical image of a Muay Thai clinch is when the fighter had both of his arms on the inside of his opponent’s with his hands grabbing the back of his opponent’s head. When a Thai boxer grabs an opponent’s head, they generally cup one hand around the back of the neck, followed by the other. This is a superior position in Thai boxing, which each fighter in the clinch may strive for, because it allows a fighter to pull their opponent’s head down in order to knee it. They cup the hands over each other, as interlacing the fingers is 1) impossible to do with boxing gloves and 2) dangerous and could lead to broken fingers. This cupped hand posture could also be described as a four fingered “monkey paw” grip, which can be assisted by the thumbs for directing the spatial positioning of the opponent’s head. The ideal position of the hands should initially be resting over the muscles on the back of the neck and at the base of the skull. From here all a fighter needs to do is curl the opponent’s head forward and down in order to break their posture.

    The idea of moving the head forward has to do with leverage and skill, not simply trying to muscle an opponent’s head down. A smart fighter may push an opponent’s head backwards or to the side, or begin weaving their arms through the opponent’s in order to get them to relax their neck before jerking it violently down. The fighter’s forearms on the ulnar side should rest over the opponent’s clavicles at about the middle. In wrestling this is called a necktie. The fighter also wants to keep their head as close as possible to their opponent’s in order to prevent head butts and elbows. Space in the clinch is your enemy. The only time you want space is when you pull the opponent down into your knees or jerk them straight down to the floor.

    A mean fighter may shave three to four days prior to a fight and let the stubble grow in order to make this even more uncomfortable, using the stubble on their chins like sandpaper on the opponent’s face and neck. As the head is pulled down, the monkey paw grip may move upwards to the occipital bone on the back of the skull and the fulcrum being used may switch from being the triangulation of the neck, forearm and collarbones to the back of the head, the tops of the collarbone and the elbows which could be ground in if the fighter so desires.

    During the whole transition, even if the fighter is trying to trick the opponent into relaxing their neck, they should be pulling in and down on the back of the opponent’s head. Being able to manipulate the opponent’s head allows a fighter to control their balance and, hence, the rest of their body. A good saying that goes along with this is; “where the head goes, the body follows*.”

    Fighting and Escaping the Clinch

    When working the clinch, in order to engage in an almost dialectical back and forth exchange fighting for position, it is necessary to know how to break an opponent’s clinch and establish yourself in a superior position.

    Usually the first method taught to fighters is to weave your hands, one at a time, inside of your opponents when they establish the full clinch (a.k.a. double neck ties). This effectively puts you in the superior position where you can pull your opponent’s head down, but don’t be fooled; your opponent can still fight from here with knees and “dirty boxing” type punches. It is important to maintain good posture while in the clinch to prevent your head from being pulled down. It is also as important to the person defending the clinch as to the person going for it to minimize space between their bodies. An upright back with the hips pushed forward is the posture you want, with your stance consisting of your feet pointing out at 45-degree angles slightly deeper than your shoulder’s width apart. I have heard this stance referred to as duck-footed.

    Other ways of getting the superior position include using the forearm like a fulcrum (pry-bar) between (i.e. one part on top, one part under) the opponent’s arms in order to pry their grip apart. Pushing up on their triceps if they give you space will also break their grip. There are other methods where standing chicken-wings and even standing chokes can be established while fighting for position, or use of the elbows or knees to the arms can facilitate gaining a superior position.

    Should your opponent succeed in breaking your posture and pulling your head down, there are a few methods available to you. Using both hands to grab around their waist and using your radius on the small of their back as you wrench them in half is a good way to fold them over and make them fall. This is a lot like trying to bear hug to break the back. Another way to escape this compromising position is to place one hand or fist into the opponent’s hip to create space and shove the other hand up to the back of the neck to establish a single neck tie and pull yourself up (push hip, thread through). Certainly in a mixed martial arts competition, shooting in for a double or a single leg would also be a good way to get out of the knee to face, patellar-maxillary ( :p ) junction that is the ultimate prize of the Muay Thai clinch.

    Unbalancing the Opponent

    While fighting for the clinch, Thai kickboxers can resemble twirling dervishes as they spin around the ring in circles and semi-circles. This is a result of the fighters trying to unbalance each other by twisting their opponents around. The boxers accomplish this while either in the full clinch, or what is called a 50-50 clinch wherein each fighter has one necktie and one hand on the other person’s elbow (i.e. their opponent’s elbow where they have their necktie sunk in). From here the fighters pull their opponent’s head down at roughly a 45 degree angle with one arm and at the same time use the same side leg to make a sweeping semi-circular rotation to twirl and unbalance their opponent. This technique will sometimes even cause an opponent to tumble over themselves, but the goal is simply to loosen the opponent up a bit and break their posture. This twirling of the body is usually followed up by curved knees to the opponent’s exposed side, back, or front, and can make prized targets such as the kidneys, base of the spine, liver, floating ribs, and even the solar plexus available to a fighter.

    It is also not uncommon to see a fighter jerk the opponent’s head over to the other side of theirs in the clinch. This is done with the same intentions and to always keep the opponent from getting their head together. Sometimes they will do this while firing staccato, machine gun fire like straight short knees into their opponent’s body and thighs as they alternately pull their opponent’s head to either side of theirs.

    At a more advanced level, throws (there are many throws legal in Thai boxing, however hip throws are not, but the opportunities for many types of throws are rich here) and trips can be incorporated into this exchange. (A good source for these tools are Kru Greg Nelson’s videos on the clinch.)

    Knees from the Clinch

    As hinted at in the other sections of this paper, there is a plethora of knee strikes in the Thai arsenal, and Thai kickboxers are masters of the knee. The first type of knee taught in Thai boxing is the long lead knee, which is delivered from the lead leg and goes up, out, and in to an opponent, as if trying to spear through their abdomen to their spine with the tip of the knee. When doing this in Thai boxing, the supporting leg pivots back and goes on the tips of the toes to allow for maximum reach and power, and the hips arch back for the same reason. The toes of the leg delivering the knee are flexed downward to pull on the tibia and expose the boney surface as a weapon. This knee can be delivered outside of the clinch, but is more formidable if the opponent is pulled into it. Using this knee in the clinch is one of the few times when a Thai boxer will intentionally make space in the clinch.

    A another knee that can be fired off from long range like the long lead knee is called dte khao, or the “half knee kick” which is executed like a round kick which comes in at a more diagonal or even horizontal angle. This knee is best thrown after having caught a kick or after grabbing the neck and the opponent’s triceps, or even when exiting the clinch when throwing out an opponent using the aforementioned twirling method.

    While in the clinch and fighting for position, staccato, rapid fire “rabbit knees” can be thrown to the legs or abdomen. These resemble the long knees, but don’t require a full extension of the hips through the arching of the back.

    Perhaps the most prolific clinch knee is the curved knee, which is thrown by swinging the hip of the kneeing leg into an opponent at a horizontal angle. This is done in training with the inside of the thigh, but in a fight, the medial condyle of the tibia is the striking surface, if not the patella if the fighter has the necessary hip flexibility or has created the correct angle via the manipulation of their opponent’s body.

    There are of course, a vast array of other knees found in Muay Thai, some of which are legal for competition and others that were developed for the brutal bare-knuckle matches of ancient Muay Boran matches that lasted until the turn of the century and the battlefield weapons art that spawned Muay Thai, krabbi krabong. Some of the fancier knees, such as the climbing knee, the flying knee, and Gorn Ling Preel (which requires the fighter to duck a round kick and then launch a jumping knee into an opponent’s exposed back) can be seen in modern competition, but are rare and difficult to execute against a skilled opponent, and hence are sometimes awarded with special financial bonuses if used in competitive fights.

    Besides knees, straight legged kicks delivered with the inside of the shin, foot stomps, pecks with the heel, and “shrimping” (blocking incoming knees by controlling the opponent’s hip using the shin as a break) with the crus (lower leg) can give a fighter an edge in the clinch.

    Conditioning for the Clinch

    As anyone who tries wrestling for the neck for the first time can tell you, the muscles in that area become exhausted quickly and fighting for the position itself can be quite a chore if you aren’t used to that type of strain. It is not uncommon to see Thai fighters chomping down on a chain held between a t-shirt and loaded down with plate weights to develop their necks. This type of hardcore training will certainly help develop your necking, but can also chip and damage your teeth. A safer alternative can be found in a head harness type of apparatus that works on the same principle of lifting a weighted chain with a nodding motion. Sometimes you may even find gyms that include freestanding devices designed to work the neck, many of which were made with the needs of football players in mind, but work absolute wonders for the Thai boxer also. For beginners, simply nodding the head quickly and fully in each direction will help increase flexibility and strength in the neck muscles. When doing this particular “head banging” exercise, repetitions in the hundreds are needed for it to be effective.

    The clinching movements facilitated by the arms can best be developed through calisthenics such as push-ups and rope climbing or pull-ups, and weight training exercises such as triceps extensions, biceps curls, and lat pulls. Also applicable to the clinch can be wrestlers’ bridges front to back, side to side, and around.

    Of course, as with most martial or combative training, Sigung Bruce Lee’s adage holds true; “the best training for something is the thing itself.” Working the prummb is certainly the best way to incorporate muscular development and skill development at the same time. It has also been said that a strong neck can prevent knockouts due to contra-coup type injuries and minimize the disorientation caused by punches that effect brain areas and sensory organs located in the inner ear that deal with linear and angular acceleration of the head.

    Consulted

    Villalobos, Pedro. 2002. Fighting Strategies of Muay Thai. pp.114-119.

    Spour, Bob. 2004. Ultimate Muay Thai. pp. 52-58, 87-106.

    Moore, Tony. 2004. Muay Thai: The Essential Guide to Mastering the Art. pp. 69-73.

    Nelson, Greg. 2001. Greg Nelson’s Clinch: Vol 1 & 2. Edges2, inc.

    Also…all accolades to: Ajarn Surachai “Chai” Sirasute (President of the TBA), Khuen Khru Will Bernales (Owner Bernales Institute, formerly Kalista Academy of Martial Arts) Ajarn Sakasem “The Punisher” Kathawong (Former head instructor of the Muay Thai Institute of Kunponli), Kru Brian Yamasaki and Coach Brandon Kiser (Owners and instructors of Mushin Self Defense).

    To comment on this post, please visit the original article click here

    5 Mar 2009

  • Posted by Utah Martial Arts Feeds
  • Utah Judo Class this week: Pulling Guard

    This Article is comes from Utah Judo
    To see the full original article click here

    Okay, so first off, why is it so impossible to find a stock photo of someone pulling guard???

    Moving on :)

    This week we have been focusing on guard.  Guess what… it’s not just a place to lay there!  We have been working on three key things so far:

    1- a Good guard

    2- Arm bars from guard

    3- Sweeps

    • A Good Guard:

    If you just lay there, they will pass (or they suck.)  First off, grab one of their sleeves with both hands, and jerk their grip free.  Then pull the hand forward wit bot of yours until you can reach one of your hands into their collar (deep!).  Two things not to do now: Don’t lay down and just nap there.  Keep your head up, and prepare to do something.  Second, don’t burn out.  Don’t sleep, but use energy wisely.  That hand in their collar, concentrate on the grip…. you don’t need to curl the guy into your chest for heaven’s sake… just keep the grip.  If your hand is in deep it’s pushing his head off to one side a little, and screwing up his balance and attack a bit as it is.  Keep that other hand holding onto his arm.  Good job.  That’s guard.

    • Arm bars and Sweeps.

    I’ll do a follow-up post on these.  The most important thing for now is to nail that guard.  Get it good.  And once you’re there, move toward that sweep or arm bar.  Be a bit relaxed, but don’t take a nap.  Don’t burn out, but don’t just lay there.

    To comment on this post, please visit the original article click here

    5 Mar 2009

  • Posted by Utah Martial Arts Feeds
  • Tai Otoshi

    This Article is comes from Utah Judo
    To see the full original article click here

    Last week we work a lot on the Tai Otoshi.  Personally, I find this move hard to hit sometimes, because people lean forward far enough when locking up that I have a hard time sneaking in.  But I do find that I hit it opportunistically from time to time, rather than as a planned attack.

    There are a few things that really stood out to me as we worked on the Taio.  The first is the collar grip.  It should really be in the middle of the chest, a little lower than one normally grabs.  But most important here is that when you step in to throw, the hand wraps into the Gi, allowing you to press your fore arm and elbow into the person’s chest to really put power into the throw.

    Now, that might sound pretty straight forward, but here is where it seems many of us were doing it wrong:  Don’t step in, and then get your arm wrapped in.  You have to wrap as you step.  It’s all one move.

    The next item is the placement of the the foot that is not doing the trip.  For me, that’s normally the left foot.  Too many of as have been putting that foot to close to the opponent.  If you’re having problems with you Taio, try this: First foot steps in (in between the victim’s legs, but a little bit in front of the feet), second foot steps in (just liek you are used to)… but wait.  Take the second foot, and move it further from the victim.  Not to the side, but out in front of them further.  See if that helps.

    The final key is once you’ve turned, and really start to throw, pull the person intially forward with the hand you have on their sleeve.  don’t wrap tham tight into your body.  Cast them forward and out, almost like you would wit a fishing rod.  Once they start to fly, then you suck in and back to the body.

    Anyway, I hope that helps.  Those three things really tuned up my Tai Otoshi.

    To comment on this post, please visit the original article click here

    3 Mar 2009

  • Posted by Utah Martial Arts Feeds
  • Mastering the Guillotine Choke, Part 1

    This Article is comes from SLC MMA
    To see the full original article click here

    The guillotine choke is beautiful, simple, effective.

    It works in MMA, it works in Judo, it works in Jujitsu. The guillotine can be used in dozens of situations. Whenever an opponent goes in for a leg take down, they become vulnerable to the choke. If you’re clinching, you can push their head down and slap on the guillotine. In the guard? Yes indeed, it’s time to end someone’s consciousness by guillotine.

    Done deal. Let’s learn how to do it.

    Technique Level 1:

    This video comes to us via Gracie Insider, and goes over the basic points of the guillotine choke from standing and from the ground.

    When you pull your elbow into your armpit (keeping your chicken wings in), it pulls his head down, making it harder to get your forearm across his neck. Don’t.Essentially, get your opponents head underneath your armpit facing down. Really though, get his neck under the pit. Meanwhile, the arm closest to his head needs to snake underneath his jaw so that your forearm bone is pushing up into his throat. Using your armpit to keep his head down, slice up with your arm.

    There’s a million little things that will help this submission. Play around with it at level one, gain some experience, and progress to level two.

    Technique Level 2:

    Shinya Aoki, master grappler shows how it’s really done. The video is in Japanese, but don’t freak out. I’ll break down a play-by-play. In fact, I’d suggest you read the overview first so that you can see them as he’s doing them – many of the elements aren’t obvious unless someone points them out.

    Note: I don’t speak Japanese, so I’m interjecting my knowledge and the things I think he’s trying to say.

    • Traditional setup, go for the kimura and open your guard. Arm is being protected, so immedieatly go for the guillotine choke.
    • When going for the choke, sliding your arm across the back, make sure not to press the back of his head down. When your arm is nearing the outside of his body, keep the elbow pointing away from you. Curl your arm toward you bicep. It’s like the superman pose (elbows pointing out ) vs making a fart noise in your armpit (flapping your elbow like a chicken wing).
    • When you pull your elbow into your armpit (keeping your chicken wings in), it pulls his head down, making it harder to get your forearm across his neck. Don’t.
    • When you snake your arm under, use proper hand position. The forearm that’s under his chin, that hand makes a fist, cocked down towards your elbow. The other hand gable grips over it (thumbs on same side as fingers).
    • As you roll onto your back, make sure to control his hips (pull guard of some kind).
    • Use your arms to start choking him. Using the arm position (shown below) will help you choke him hardcore. Imagine trying to get your thumb to the shoulder.
    • Remember how I said not to squeeze in your elbow before getting your forearm underneath his chin? Now I want you to do that. Strangle the life out of him by pinching in your elbow to your rib cage.
    • Also, make sure that radial bone (the top forearm bone) is jamming into the throat. If you have gripped properly, it should already be doing that. If not, roll your arm to get it in right.
    • Sure, you can crank directly back like you’re doing a back bridge – that might tap him. However, if you use the leg opposite to the arm that’s under his neck, you can push off his hip (controlling it) and angle your body off to the side.

    • Like the Gracie family said in the first video, don’t control his hips too low or he’ll pop out of your guard, into side control and nullify the choke. You need the right amount of squeeze between your legs, possibly your knees if you’ve got full guard. Don’t overdo it – you want to save energy and focus on the choking, but at the same time, keep him from escaping – something we’ll cover in part 2.

    So watch out for Mastering the Guillotine Choke Part 2 – until then, happy head hunting!

    To comment on this post, please visit the original article click here